4 April 2008, terribly early in the morning
I saw the Woodhands again last night. They were playing a set at the Wrong Bar to celebrate the release of their new CD, Heart Attack. I’m listening to the CD now, and it really is quite enjoyable, but you really need to see the boys play live: they are amazing. Dan and Paul are both very skillful musicians, and there is clearly a good chemistry between them — they both play off one another during the course of a song. This show I actually got to see what Dan gets up to when he’s on stage: I had a good view of his set up and what he does while playing. Sadly, I still have no clue how he makes all the sounds he does. There is some multitasking going on that I just can’t grasp. The dude can play a Keytar: I think that’s enough reason to see the band live. Paul rapped a verse from Triumph — fuck yeah — and he didn’t mess up like the last time I saw him do a verse from California Love. (Although, I actually think his messing up at the last show actually got the crowd even more hyped up.) As before, Paul played the shit out of his drums. The crowd was dancing and it was good. The show last night was awesome.
I would be remiss if I didn’t mention the opening act, Machetes, a 4 girl band that reminded me of something vaguely British, though I suppose that isn’t very descriptive. The girls looked like rockers, and rocked like a mother fucker. I can’t describe how disappointed I was to learn they didn’t have any music for sale. I’ll have to find out when they’re playing live next. Seriously, I was really disappointed they didn’t have a CD. Also, the lead guitarist had purple pants on which looked hype.
[1] Music | Life
27 March 2008, terribly early in the morning
Cathy and I went to a fund raiser for a theatre group our friend Yeena is connected to in some way. It was taking place at the Wrong Bar, which is out in Parkdale. Parkdale doesn’t seem to be quite the same place it was a few years back. The Wrong Bar is a really nice venue. It’s very spacious, with space for a stage at the back. There is a single bar in the middle of the venue. The front is wallpapered in this gorgeous felt lion print wallpaper, that reminded me quite a bit of the Rorschach inkblot paint job at the Drake. The two of us bought some beer, sat on a very tall bench, and waited for Little Foot Long Foot to start their set. There was a silent auction taking place, so while waiting I bid on a Spa package for Shima. Little Foot Long Foot’s set was quite good. It’s a two person band: there is a guitarist singer and a drummer. The place wasn’t that busy, which seems to be the case for a lot of these shows I go to. There is a lot of good music happening in Toronto, but I get the sense it goes largely ignored. It’s a shame. I bought the bands CD which I’m listening to now. I bid once more on the Spa package, and then Cathy and I called it a night. You need to walk way up Lansdowne to catch the Lansdowne bus back North up to Bloor.
[4] Music | Life
15 March 2008, early morning
I’ll have to write up something longer about the inaugural Babylon Telecom event, but for now just know that I wasn’t lying when I said it would be hype like DJ Hype. The whole event reminded me a bit of Matt’s old weekly night Inner City / Outerspace at IV Lounge. There were a lot of familiar faces from his past events. I’m listening to We Love’s EP right now, and it is good.
[2] Life | Music
18 January 2008, terribly early in the morning
I saw Magneta Lane at the Rivoli on Wednesday. I went to the show after buying a new camera. I don’t go to as many shows as I used to, primarily because my concert going friends don’t live in Toronto anymore. To quote an email I sent out in regards to this show:
Some of you may have got this email and thought, “wait, I don’t even live in Toronto anymore.” Yeah, move back to the damn city already. Punk ass sons of bitches.
And so it was that I went to the Magneta Lane show by myself. I’ve become quite good at going to shows alone, mind you, a skill I think everyone should have. I bought a beer, walked to the front, and waited. Usually I’ll just people watch; now I can also fidget with my phone. I had my old Yashica on me, so I also tried snapping some photos with that.
The girls took the stage at 8:00 or so, and were done just before 9:00. It was a short and sweet set. I think the show was a chance for them to test out their new material: they played a few new songs, mixed in with some of their older tracks. One change from previous shows was the addition of a keyboard player for a few songs. He also played guitar for one song so that the young Ms Valentine could focus on singing. I’m not sure they had the same energy I’ve seen them play with in prior shows, but they may just be out of practice or nervous. All and all it was a very enjoyable concert. I like the band though, so I’m probably pretty biased.
After the show various women tried to talk to me. I told them I was engaged and punched them in the face, which is usually what I do. Don’t try it ladies, my ass is taken.
[1] Music
30 November 2007, evening time
My friend Haruka attends a musical school here in the city. The last time I recall her singing was at a karaoke bar downtown; she was singing Rhapsody in Blue by Da Pump (Tomo was rapping). She’s come a long way since then, now attending a school where everyone seems to be some sort of freaky musical prodigy. Shima, Yang, and I went to a little show put on by some of the students at the school and it was stunning. I really don’t know where to start I was so very impressed. Really, the only thing disappointing about the whole night was that they didn’t have any CDs for sale. I’m not sure when their next show will be, but it is well worth checking out. There aren’t too many venues to hear indie R&B in the city — let alone j-pop.
[6] Music | Life
21 October 2007, late at night
The MIA show was last night at the Kool Haus. Also billed for the night were Holy Fuck, Datarock, and The Carps. It was a solid show.
Read the rest of this post. (421 words)
[2] Music
11 October 2007, early morning
Homer: Eh, what do you mean by `suggested donation’?
Clerk: Pay any amount you wish, sir.
Homer: And uh, what if I wish to pay … zero?
Clerk: That is up to you.
Homer: Ooh, so it’s up to me, is it?
Clerk: Yes.
Homer: I see. And you think that people are going to pay you $4.50 even though they don’t have to? Just out of the goodness of their… [laughs] Well, anything you say! Good luck, lady, you’re gonna need it!
I’m listening to Radiohead’s new album as I type this. This is the first of their albums I’ve bought.
Read the rest of this post. (699 words)
[5] Music | Technology
6 September 2007, late evening
I bumped into my friend Mike on Queen St. It was pretty random: I haven’t seen Mike in a few years now. He told me he was downtown because his band was playing at the Horseshoe later that night. I figured if I bumped into him randomly on Queen that was a good sign that I should go to his show. I am so glad I did. Mike’s band is awesome. And I’m not just saying that because I know him. Vinnie and Raju showed up as well, which made the night all the more enjoyable. Be sure to check out the Hots when they are playing next. They play rock music you can dance to. What else do you need really?
Life | Music
29 August 2007, mid-afternoon
Shima and I bought the new Kate Nash CD. We heard it playing in HMV. I have no idea who the lady is, but the song playing was pretty catchy. She sounds like a bunch of other singers, though I can’t think of who at the moment. I haven’t bought a CD just because in ages. (I also bought the M.I.A. CD so I can replace my MP3s from oink. You shouldn’t pirate music. Those artists need to eat.)
Life | Music
7 June 2007, late afternoon
The concert was amazing. Damn. Jemeni opened the show with the poem from the Dragonfly Intro. Following the poem, Esthero took the stage and spent most of the night taking requests from the audience, drinking jagermeister shots, and talking smack — there was lots of shit talking going on. Word. Her voice is still as brilliant as I remember it sounding. Esthero didn’t sing I Drive Alone, despite the fact I was screaming it out at the top of my lungs. I can forgive her: she played pretty much everything else I wanted to hear. Esthero can do a damn good Björk impression. She belted out Army of Me, instead of singing Breath From Another, and spent a few minutes rambling on as if she was Björk. It was impressive. The first time I heard Heaven Sent I thought it was a new Björk track. I wonder if this was a common occurrence. (I also enjoyed her cutting to Baby You Got Me midway through one of her tracks.) Midway through the concert, she had her back-up singer come up front and perform. Her name was Alexis Taylor I believe, and she could sing — and I mean really sing. The crowd was going nuts. So yeah, the concert was incredible. I’d say it was perfect, but she kept us all waiting an hour and a half before taking the stage. Still, once she started singing I forget about all that.
[2] Music | Life
6 June 2007, terribly early in the morning
I’m going to see Esthero tonight. I can’t wait. The last time I saw her live was at Closer to the Heart V. She’s doing an acoustic set at the Mod Club. There are still tickets as of last night, so if you are a fan you should definitely check it out. I’m not sure how her new album would sound done acoustically, but I can certainly imagine her first album done this way. I’ve been listening to the EP that came out between her two albums over the past few days. I had always thought it strange she dropped I Drive Alone from the full length album that followed the EP — it’s such a great track. I suppose it’s a bit understandable, the song is very much like her stuff from 1998. The stuff on her last album is fairly different for the most part. I enjoy both albums, though I think I have a soft spot for the first. I think this has as much to do with when it came out as it does with the fact its all laid back trip hop. (I wonder where most of her fans stand on this subject.) I’m hoping this concert is in preparation for a new album. I’d hate to have to wait till 2012 for another album from her.
Music | Life
8 February 2007, early morning
My shuffle has been spitting out Faye Wong track after Faye Wong track. The play list I use to make my random mixes contains the songs from almost every single album she’s put out. I guess when it randomly samples that list for songs to put of the shuffle, Faye Wong songs show up more often than not. I’m not complaining: Faye Wong is wicked. I just listened to her cover of Dreams by the Cranberries, which makes me want to watch Chungking Express.
[12] Life | Music
4 February 2007, the wee hours
Listening to Life After Death by Biggie. I found it at a used CD shop on Queen — an awesome find. This CD is really good; I can’t imagine who would want to sell it. I’ve been looking for this CD for ages and ages now. I have all his other music. This isn’t much of an accomplishment: unlike Tupac, Biggie’s musical output took a hit after he died.
Life | Music
24 November 2006, early morning
I grabbed Blind and Static and Silence by the Sundays. Blind was the follow up album to the very excellent Reading, Writing, Arithmetic. When I first listened to Blind I was a bit disappointed: it just didn’t have any tracks that I thought really stood out. However, listening to it a few more times at work my opinion has totally changed. It’s a really cool album. I’d describe it as a cross between the first album and something by the Cocteau Twins. A song like On Earth sounds very much like an “approachable” Cocteau Twins tracks; the song has that same ethereal quality, but still maintains a sort of pop sensibility. The Sundays are definitely one of those bands I’m disappointed stopped making music.
& I say
when you’re hoping for some more from your life
shouldn’t wonder you’ve had enough
& in my town
sounds of England swallow you down
Music | Lyrics
1 November 2006, the wee hours
K-OS at the Mod Club
The K-OS concert was filled with several pleasant surprises. Mageneta Lane were one of the opening acts, and I can’t say enough good things about them. The other opening act, a black man with a guitar, who could belt out some wicked Hendrix and Marley, was also awesome. (That fellow should be famous.) Finally, there was K-OS himself, who was quite the showman. It was a very creative concert, totally not what I was expecting.
The Mysterious Opener
A black dude in a suit and fedora saunters out on to the stage. He’s carrying an acoustic guitar. He sits down and starts asking the crowd if they’re ready to have a good time, if they’re going to party, if they’re ready for some rock and roll, etc, etc — regular opener sort of stuff. Only he has I don’t give a fuck aurora about him, and he’s swearing a healthy amount. I had a feeling his show was going to be good. He started off by playing some Bob Marley. Someone screamed “Hendrix!” and he quickly switched to playing Purple Haze. He played the intro to Stairway to Heaven, though I think this was meant to be funny more than anything else. After this little introduction of sorts, he started playing his own stuff, which was great. So I ask you Internet: What was his damn name?
Magneta Lane
My favourite girl band of the moment, Magneta Lane, were up next. This was a very pleasant surprise. I didn’t expect a rock trio to open for K-OS. They played a fairly long set consisting mostly of songs from their new album. I’m not sure if anyone knew who they were or not, but most people seemed to like them all the same. I think Torontonians are polite enough anyway that they’ll sit through an opening act they aren’t impressed with and not raise too big a ruckus. They didn’t play Their Party Days, which was a shame, but they did end the set with Daggers Out, which I like quite a bit. If you haven’t heard anything by Magneta Lane you are really missing out.
K-OS
K-OS’ set was very different from what I was expecting. It was certainly a fair bit different than the set he put on at the Amphitheater. There was a heavy rock influence to everything he played. It’s like he decided to do covers of his own music. I liked it a lot. I recognized much of the band from the last concert. They were all playing just as good as the last time I saw them. K-OS’ band features a really killer DJ that scratched the hell out of several records, and an awesome Indian percussionist who played a very nice tabla solo. It was a pretty long set, and featured music from all of his albums. (Most of the stuff was new, of course.) My feet were killing me by the end of the night. Shima and Ali, who I went to the show with, were equally tired. When his set ended, Ali went off to get our coats — and chat up the girls from Magneta Lane — while Shima and I cheered for more music. (Well I cheered anyway.) The band came out for an encore, and played his latest single Sunday Morning. And with that the night was over.
[2] Music | Toronto
1 September 2006, late morning
Faye Wong’s first album with EMI after leaving Cinepoly was the self-titled Faye Wong. I’m listening to it right now. It is probably her best album; it’s certainly my favourite. It opens with the slow and soothing Anasthaesia, and moves on from there. You’re Happy, So I’m Happy, I Don’t Wanna Be This Way Either, Making A Fuss, and Reminiscence are some other great tracks. (That last song is a cover of a Cocteau Twins track.) It was the second album by her that I bought. I really wish she was still making music.
[2] Music
11 August 2006, mid-morning
I bought the Sundays’ first CD, Reading, Writing, and Arithmetic, last night on the way home from a protest. The only song I knew from the CD before hand was Here’s Where the Story Ends, which I first heard as a cover performed by Faye Wong. (Faye Wong’s version is called Being Criminal; written in Chinese, the name is apparently a play on her name and her former husband Dou Wei’s name.) The first Sundays song I actually heard was Summertime, which I think was on the charts when I was in grade 11 or 12. It’s a very nice pop song: catchy and sweet. Reading, Writing, and Arithmetic is a great CD. I’ve been listening to it on repeat since I bought it. The cashier at HMV looked at the CD when I gave it to her, held it tight in her hands, smiled, and then told me, “This is such a good CD.” She seemed to reflect on it for a moment, before ringing my order through.
you’re not the only one that I know
and I’m too proud to talk to you anyway
you’re not the only one that I know
and I’m far too proud to talk to you any day
so I say I’m in love with the world
Music | Lyrics
4 August 2006, early afternoon
Tricky appears on several tracks on Massive Attacks first CD. It’s unclear whether he was an official member of the band, or like Horace Andy, someone the group worked with. When it came time to do the second album Tricky decides to part ways with the group, but left them with some lyrics/music to work with. (Or perhaps he was contractually obligated to leave what he recorded behind.) The songs Karmacoma and Eurochild feature the same rhymes from Tricky as Overcome and Hell is Roud the Corner, respectively. I like Karmacoma more than Overcome, and Hell is Roud the Corner more than Eurochild, though all four songs are really quite good. Back to Blue Lines: there are a ton of great songs on that album. Five Man Army is one of my favourites, but the true classic has to be Unfinished Sympathy.
Music
19 June 2006, early afternoon
Aaliyah put out a song on her debut album called At Your Best; it’s actually a cover of an older Isley Brothers track. Aaliyah’s version of the song opens with her singing, “Let Me Know”, acappella. I think it’s one of my favourite openings to a song. Slip and Slide use this sample in a jungle track they put out titled Let Me Know. Their song opens in much the same way, but instead of a slow-groove sort of R&B song kicking in, you get snares and a heavy bass-line. I actually heard their version of the song first. R Kelly remixed the song as well to produce a New Jack Swing version of the song. I feel like going to an old-school R&B club night. In Sydney every other club seemed to play R&B from the late 80s & early 90s.
Music
3 June 2006, lunch time
Back at home this weekend, Ahilan showed me a clip of Micheal Jackson performing in New York back in 2001. Micheal Jackson is the greatest. I really don’t think I can truly respect someone who doesn’t like Micheal Jackson. After watching that video, I watched his performace at the 25th Aniversary of Motown show. That was the first time he ever did the Moonwalk. Then I watched him and his brothers perform I Want You Back, which is also amazing. You should definetly watch his performace at the 1988 Grammy Awards. He’s singing Man in the Mirror; it’s a very good performance. I think 1988 was a good year for Jackson. Him doing The Way you Make me Feel is as entertaining as ever. There is so much good stuff on YouTube.
(I would be remiss if I didn’t mention Emm Gryner’s brilliant cover of Beat It, which is so damn good.)
[2] Music
28 April 2006, late evening
I am really big Britpop fan. When I was in grade 9 Portishead’s album was getting some press here in Toronto, as was Elastica’s. Now, this was back when I was broke all the time, so I couldn’t get myself both albums. I ended up buying one album for myself, and one album for Dave, for his birthday. In hindsight, I should have kept the Elastica album, and given Dave the Portishead one. (Dave ended up selling me the Elastica album a few years later.) I think both albums are great. I spent the next few years listening to lots of Britpop, basically till the whole movement imploded. I waited patiently for Elastica’s follow-up album, and when it became clear it wasn’t coming, I started listening to electronic music: trip hop and jungle mostly. Most of that music also came out of the UK.
The film Live Forever tracks the rise and fall of Britpop. There are a fair number of big name rock stars interviewed, but I thought the breadth of interviews seemed a bit lacking; Oasis, Blur and Pulp were not the be all end all of Britpop. I would have preferred more people were interviewed. I’d be interested to hear what Elastica and Menswe@r would have to say of the phenomenon, since I like them both a lot, and they both sort of came and went with movement. There are a ton of bands that really didn’t last after ‘97 passed; it would have been good to hear from them. Robert Del Naja from Massive Attack makes a few appearances in the film, which are entertaining if only for being so out of place. There is an interview with the editor of Loaded talking about all the cocaine he did to get the issues out. There are a slew of really great lines in the film. The movie ends with Pop taking over Britain. It’s a bit sad really.
Music | Movies
3 March 2006, the wee hours
This was the third time I saw Magneta Lane in concert. The first time was at the Drake, on a trip to see Femme Generation. The second time was at the El Mocambo. On that particular night Lexi complained that she couldn’t sing, her throat hurt too much. Tonight at the Horseshoe she was drinking tea as her throat was sore yet again. It is understandable I suppose. I don’t know how Hole, Nirvana, or any such band where the singer needs to do a lot of yelling can put on a show night after night. Magneta Lane did a great job tonight. If you haven’t seen them live yet you are really missing out. They are a very cool band. I can see them getting really big, so you should try and catch them before they stop playing at venues like the Horseshoe.
The Awesome Team put on a really good show as well. I like it when you can tell a band is really into their music, and is really enjoying playing infront of you. The Awesome Team aren’t really my sort of band, but I think if you like Blink 182 and that sort of music, you may enjoy them. (Mind you, they may not sound anything like Blink 182. I’m really bad at pinning down the genre particular bands belong to.)
The best piece of music I heard tonight was from a homeless guy playing The Man Who Sold the World on the South-West side of Queen and University. I walked about 50 feet or so past him, then stopped, and walked back to give him a dollar. I wish I gave him more money. He sang the song really well.
Music | Life
11 February 2006, the wee hours
I just got back from Close to the Heart V. I watched the show with my buddy John. It’s a benefit concert for the Regent Park School of Music. As you can guess, this is the fifth year the show has tried to raise money. Tonight, they had a pretty stellar line up of Canadian musicians doing covers of their favourite Canadian songs. The show was un-fucking-believable. I finally got to see Ivana Santilli in person; meow. I also got to speak briefly with Esthero, after I snapped a photo of her with two girls I met at the show (who wanted me to take their photo with Esthero). It was a really fun night.
Update: I’ve posted photos from the night on Flickr.
[4] Music
17 December 2005, lunch time
I bought R.E.M.’s greatest hits album Thursday night. I had heard it playing at the Yellow Griffin a few weeks back, and wanted to get it ever since. In the liner notes for the album Peter Buck explains the back-story for each song. he has this to say about Orange Crush:
I must have played this song onstage over three hundred times, and I still don’t know what the fuck it’s about.
The album is really good. I’m enjoying it a lot.
Music
25 November 2005, late evening
The Carlu is on the top floor of one of the older buildings in Toronto. It has a very rich history; after several years of neglect, the venue was restored in 2003 and used to host events ever since. It’s a strange, but cool, place to have a concert. I went there last night to see Echo and the Bunnymen. The band was big in the 80s, but for whatever reason never got really big; a true indie band I suppose. A strange mishmash of people filled the venue. Heather, Ben, and I were probably some of the younger people in the crowd. We bought some 7 dollar Stellas and waited for the band to play. The opening act was reminiscent of Guns and Roses and Radiohead stuck together. They played a short set. Echo and the Bunnymen didn’t take the stage till 11:00, which was quite late considering this was a wednesday night show; I would have expected with an older crowd out they would have started things earlier. I suppose that doesn’t matter, they were quite good live. They look and sound very much like a hip 80s band. You may recall hearing the song The Killing Moon in the movie Donnie Darko. They played that song, which was from 1984, and what I would imagine was a mix of old and new songs. I liked their stuff, and will need to track down some compilations or something. They’re touring in support of a new album called Siberia. If you have a chance to see them, I think you should. They are definitely a cool band.
[2] Life | Music